I agree that some of the examples the author provided are instances of bad animation. But I don't agree with the premise of the article.
Computer graphics is all about exploiting features of the human visual system. We perceive things differently when they're moving vs. when they're standing still. It's very possible that a "wrong" frame in isolation is the best looking one in a real-time context. We can also pick apart screenshots but these don't capture everything about how the user perceives a display in real-world lighting conditions.
I would draw an analogy to film. A fast tracking shot might look bad on individual frames because of motion blur. A wide-angle shot might make some objects look "wrong" because of optical distortion. But these are still the right choice if they have the intended artistic effect in the theater.
I initially thought "Every Frame Perfect" meant a strict avoidance of any jank or stutter in motion, which I'm fully on-board for but as a film, video and 3D technologist, you're spot on calling out motion blur and similar temporal artifacts. In motion, they not only look 'most correct' to the human visual system, they are the most interpretable.
Adding the correct blur to motion makes it appear clearer but seen as a still, it's obviously not clearer. The nuance is correct motion blur appears clearer while guaranteeing it's as clear as the human visual system can perceive moving details at that speed, so no perceptual detail is actually lost. It's a method that objectively improves perception which only works in motion. If frozen, the method breaks. Thus, evaluating motion blurred stills for clarity or interpretability is incorrect.
The rest of the article focuses on details of proper implementation while missing the opportunity to question whether some of these animations should exist at all. IMHO, motion can be a valuable affordance in limited doses but it's reached a point of overuse and, in some cases, outright abuse of the user's visual field and cognitive load. Designers (and their PMs) see it as a badge of 'Refined Modern UX' but it's devolved into a trendy gimmick aping good design without being good design.
Regarding your last point, I think it's almost always wrong to move something discontinuously, but I do think designers should think a lot more about getting out of the way of the user. A 50-100 ms animation is more than enough for most motions and keeps the UI feeling snappy. Also, animation should be decoupled from input wherever possible. I hate it when I have to sit there waiting for an animation to complete before the app will start acknowledging my keystrokes.
> I think it's almost always wrong to move something discontinuously
Yes, I think we agree. When a thing is becoming a larger/smaller form of itself in a different place, it can be useful to cue the relationship visually with motion. But there are times when the change or displacement is minor enough, I do prefer 'just do it', even when the animation is hyper-fast. It's just more visual/cognitive clutter.
It's obviously situational, and if such motion is always very fast, consistent and well-motivated, it never rises to the level of annoying me. I might personally prefer some instances where, if the position overlaps and the size change is minor, just skipping it, but it's not 'bad'. I think the key may be that, done properly, such motion should cognitively be a 'barely there' hint. The moment a state-change animation rises to having perceivable aesthetic value, like being 'pleasing', it's too much.
As the senior product owner, I once had a new designer argue that if an animation was as fast as I wanted, no one would be able to appreciate the excellent S-curve ease-in/out. :-) I had to explain if a simple state-change animation was slow enough to be consciously 'appreciated', it had failed in its purpose.
> waiting for an animation to complete before the app will start acknowledging my keystrokes.
Or you find out you can input as the animation happens, but when the animation finishes, you’ve lost where your input ended up and don’t know if you can backspace/delete and retype.
... I wonder if we're seeing a downstream effect of Apple rejecting Flash on iPhone, triggering a slow collapse of Adobe empire. It seems that there are multiple concepts missing in conversations going on here.
Sorry, I'm not connecting how "collapse of Adobe empire" leads to "multiple concepts missing" in this UX discussion. Can you clarify?
Also: Apple dumped Flash ~15 yrs ago, so whatever it is... it's very slow. The larger, more recent suspects for any "collapse of Adobe empire" would be "Adobe forcing $ubscription model" and "rise of Figma."
I think you are taking it a step too far. First of all, unlike film, we are not recording reality in any way, every pixel that appears on screen is there because we put it there. I'd argue a closer parallel is a cartoon. And something like cartoon inbetweening is not an example of imperfect frames. These are in fact, perfect and even carefully crafted frames.
It's one thing if the frame halfway through an animation looks a bit "funny", but is still completely logically correct. It is another if the intermediate state of the animation legitimately doesn't make any sense and is just the result of not really caring about what actually goes on during the animation. In that case I'd almost rather just not have the animation at all, or just have a simpler one.
We do this in cartoons as well. Check out this Spider-Verse animator breaking down a shot of Gwen drumming. [1] If you look at individual frames, there are all sorts of details that make no logical sense. In one frame, she actually has three hands! But it looks great if you see it in motion.
That is exactly what I'm talking about, though. This is not what is happening with buggy computer UI animations: these are not carefully crafted to look better in motion, they're actually only considered acceptable because it's kind of difficult to see the mistakes in the animation. Whereas cartoon animating, you could argue the details don't make logical sense, but that's only to someone who doesn't understand the principles of animation. You can't explain away glitchy weird UI transitions this way because they're pretty much universally not intentional. They're usually just taking the technical path of least resistance.
I think there's also a major difference between the kind of weird intermediate frames that are acceptable for a highly-stylized cartoon at 24FPS and the kind of intermediate frames that are acceptable for a UI running at 120FPS.
No one is defending outright buggy animations. OP is just saying the idea that every frame should make logical sense on its own ignores how animation actually works (and they're correct).
Look at the youtube example - it has two pieces of UI animating from from a start point to an end point, and the paths are such that they momentarily overlap. There's nothing buggy or janky about it in motion; TFA is just saying that if you ignore the motion and take a screenshot mid-transition it looks odd. Same complaint as what GP describes, and silly for the same reasons.
It's what I personally took away from it. I was also someone who had the same feeling when I first heard Wayland's "every frame is perfect" mentality. I thought, "This is probably a good idea on multiple levels."
I agree the YouTube example isn't the worst one, but also at the same time, I don't agree with you that there is nothing buggy or janky about it.
There is no logical reason for there to be two copies of the video rendered at once. The video is literally resizing into position, while all of the UI elements shift around it. Why would there be more than one copy of the thing that is resizing?
I will relent on only one thing: "If I take a screenshot of your app at any moment, it must make sense" is too strong of a statement on its own. The context that it is a screenshot of an animation is important, just like cartoon inbetween frames. However, I think if you're being generous with interpretation you can allow this to be implied.
Or "squash and stretch" [0] frames cartoons and 3D modeling, where people prefer the final result even though individual frames can be grotesque.
That said, I think it's fair to hold most practical UIs to a different standard. Prioritizing amusement leads to a lot of strange non-ergonomic places.
Oh boy, I wouldn't use Spider-verse animation as an example. I personally hate it. When I saw the first movie I thought something was wrong and asked the staff if I had mistakenly been put in a 3D movie without the 3D glasses.
The point is that if a pixel is in a nonsensical place the only thing that is to blame for that is the code. It doesn't matter if it looks pleasing; there's no good reason for something to be wrong just because it looks acceptable.
If you can't even guarantee internally consistent state then good luck communicating your "convincing and aesthetically pleasing effapt update && apt upgradeects" successfully.
The final "zoom animation from Preview app" also illustrates the inverse. Every frame looks perfect in isolation, just like the author wants. It's only when you see it in motion that you notice the issue.
I think it’s pretty telling that with the YouTube example, I legitimately couldn’t figure out what he could have a problem with until he slowed it down. The overall effect worked and gave the impression that it was aiming for. The fact that you can get out your calipers and find flaws in a paused animation is not compelling in the least to me. I don’t think looking at your animations in slow motion is a bad exercise — it may reveal unintentional things — but I don’t buy that animations need to “make sense” when paused in the middle any more than a 250ms snippet of audio clipped out of the middle of a word needs to make sense.
I like this comment. The idea that animations should be able to be picked apart frame by frame and always be coherent doesn't make much sense, because the user will never actually do that.
I do like the point the article makes about using ui fidelity as a proxy for software quality, and agree that they pointed out some bad animations. But, I think you hit the nail on the head .. frame by frame coherence isn't the best yardstick for measuring animation "goodness".
I wouldn't mind it, if he had supplied suggested mitigations.
I think every one of those animations are system-supplied ones. Some are likely SwiftUI ones, which heavily abstract you from the iron, and, if other frameworks are supplied, the abstraction goes even farther.
It can be a major engineering effort, to improve a half-second animation.
That said, this is how designers work. I have worked with some of the top designers in the world, and it can be tempting to want to strangle them, as they choose a half-pixel alias as the hill to die on.
But if we try to work with them, it can make an enormous difference in how users react to our software.
> I think every one of those animations are system-supplied ones. Some are likely SwiftUI ones
Yes, this is a major factor for the regression in overall UI quality and consistency on Apple platforms. SwiftUI aims to make all those fancy animations transitions a single line view modifier rather than 30 lines of manually specified CoreAnimation easing curves and manual animation blocks, but it results in a lot of things just feeling janky, because one-size-fits-all rule and precise polish are fundamentally at odds.
This article would do better to show good use cases to draw strengths to their premise but I agree with your take that frames matter less than the total feel of the transition. Some of them definitely could be improved of what he outlined.
I find AI to feel real nice for pushing delight like this further than I used to have time for as it was never a priority.
I hacked a Panasonic GH1 to use 24fps in 2014. My newer camera, the GX85 includes this frame rate by default. Movies look more dreamlike in 24fps, due to the magic number of resetting some cycle every 5 seconds (24 frames in 5 seconds is 120 frames). Seinfeld was also filmed in 24fps. Maybe the jokes sounded funnier becaue of that? I don't know, but I enjoy playing games at 20- 30fps more than 60fps for the cinematic effect.
The difference with games is that they generally don't have motion blur, every frame is sharp like a photo, so at low framerates like 30 you can see a distracting judder from the series of low fps sharp frames which you don't see in movies. At high framerates your eyes will naturally see blur in the same way your eyes see your hand waving as blurry even though there is theoretically infinite frames.
Some of this is also just learned and cultural. 24fps looks like movies because movies are 24fps and you have learned to make that association. In the same way certain color grades and aspect ratios look cinematic, just because that's a reinforced association rather than an inherent fact.
agreed, there is a memory aspect to it too. That said, there is something about this video that looks funny: https://www.youtube.com/watch?v=M3-15YADeyg (I made this last year)
> It's very possible that a "wrong" frame in isolation is the best looking one in a real-time context.
Maybe that’s sometimes true. But, more often, the intermediate states will contribute in a predictable way to the overall look of the animation and if the intermediate states don’t look coherent, then the animation as a whole will be hard to understand.
The examples in the article make this clear. For example, the search box where the initial text animates from the middle while the cursor starts on the left. That disconnects the text from the cursor. There’s no reason for that. It’s just shitty animation work.
What do you think the premise of the article is? The article is pretty narrowly speaking of "app" UI and your comment is a "well actually" that some videos intentionally introduce noise or temporary discomfort for an emotional or artistic effect. On the same basis, comments like yours would defend screen shake if it was added to desktop and mobile apps on every user input.
The premise of the article is that every frame of an animation should look good if captured and analyzed statically, in isolation. There's no reason provided for this other than "it feels right." I'm saying that this ignores how the human visual system works and how we perceive displays in real-world lighting conditions. I used film as an analogy to illustrate the point.
The idea that I would defend screen shake is a complete straw man. How do you get from my comment to that conclusion?
> every frame of an animation should look good if captured and analyzed statically, in isolation
This is just true though. It isn't the only thing that matters but if you are creating a game or a video sometimes you do capture things frame by frame to understand why something looks off when animated.
Your film thing isn't an analogy, you are trying to say film is an example where some frames have motion blur so they don't look good, but since that's okay in film, it should be okay in software and apps. The word "good" is being overloaded to mean different things in each example. Screen shake in a video game or chromatic abberation in a film can be good in those contexts because they are the intent of the artistic direction. Maybe if you are hung up on the word "good" replace it with "appropriate" or "intentional".
I still have Sonoma on some of my devices. All I can say is: wow, steady regress.
The save dialog, albeit a little shakey, is nowhere as chaotic as in your example. The buttons in Notes move between panes in a perfect seamless manner. Albeit the animation occasionally glitches out when you repeatedly focus and deselect the Safari bar, the cursor is perfectly timed with the text, only fading in after the text is done moving to the left. The Preview bug must be something recent too, I can't reproduce this.
I miss it when companies like Apple, Sony, and IBM paid attention to the smallest details. Apple in particular earned its current valuation with the iPhone, an all-touch device that did nothing extraordinary compared to Windows Mobile and Symbian PDAs of the time (and was in fact functionally lagging behind compared, failing to even match the then-contemporary feature phones in some areas) BUT one that you didn't actually want to smash against a wall after a few minutes of use. Now these animations are bringing back exactly the Windows Mobile and Symbian vibes.
Remember how happy Steve used to be with OS X animations? He would replay them on stage multiple times, in slow motion. These though, these would have the people behind them face the fate of the iPhone 4 antenna man.
The animations in your short video do in fact look more orderly and less chaotic. Could it be that Apple was using AppKit in Sonoma and switched to SwiftUI now?
I'm sure a UI that had none of these imperfect frames would feel better, but now I really want someone to edit each of these clips to show what it would actually look like.
At the same time, why does everything need motion? My understanding is that motion should be used if an action subtly changes the UI in a region that's different from where the action was triggered (e.g. toasts)
I think many of these transitions are unnecessary and would feel just as good if they snapped immediately with instantaneous reflow.
I think the “imperfect frames” on the Safari search bar are, practically, just fine and doing it in the way that looks better in screenshots would be worse.
The cursor appears on the left because that’s where the user will actually start writing. I assume that’s where people look, if they know the UI. Having it appear in the middle of the screen and then move over would be unnecessary and distracting.
The stand-in text slides over to the left, to draw the attention of the unfamiliar user.
To add to this, experienced users will often start typing without looking based on what they trust the eventual state of the UI will be. Moving the cursor immediately makes it explicit that this should work.
This is following a more important rule which is "Never make keyboard input timing dependent!" I'm looking at you new Windows start menu and VS Code quick open.
Games are entertainment products, not tools. It's acceptable for a game UI to draw attention to itself for artistic effect, but I don't want to have to put up with this when I'm trying to get work done. Instant state transitions become imperceptible as you learn how they work. An instant UI effectively functions as part of your body, just like hand tools do. Animations make this impossible.
Compare an ordinary pencil (no animations, movement is directly tied to your hand) to a pencil with a pompom on a spring attached to the end. Which is most fun for brief use? Which would you rather write a whole page of text with?
For UI purposes, sub-150ms animations can be very effective as "pro" interface behaviours. That's close to our best reaction time [1]. Good UI personality doesn't have to get in the way of pro-level efficiency.
One of the ways to achieve this is to not actually transition between states, but simply animate the "end bounce" of an introduced element, as if it was eased into position. So not actually slid from the left, for example, but rebounding the last few pixels from an imaginary slide. Our eyes just draw their conclusions to inform us of a movement, and in exchange the component is readable and usable immediately.
[1] ~100ms represents optimal reflex time in recent research. [2] Anything that requires user attention to interact after the component appears is very comfortable with a 150ms transition. One important note is that for components you can navigate across (i.e. one key shortcut invokes a modal state, another key runs a command in that modal), experienced users will "type" consecutive shortcuts in one go, and you must have the second behaviour responsive from frame 1.
[2] Some athletes seem to train down to ~80ms on very specific reflexes, which recently lead to race-start controversies when block timers disqualify sub-100ms reactions for runners.
> ~100ms represents optimal [human] reflex time in recent research.
For unpredictable inputs. Intervals between a human own actions or discrepancies in delays between successive external events can be effected or perceived with significantly greater precision, especially for people with e.g. music training, especially for percussionists. I’d bet on somewhere between one and two orders of magnitude more precision, that is single-digit milliseconds, at higher skill levels. (Chopin’s Fantaisie-Impromptu is among the easier rhythm-based parlour tricks and already requires staying below ~30ms of error. Alternatively, a single frame at 60fps is 17ms, and speedrunners can hit single frames of a game pretty reliably.)
Reaction time is unrelated to perceptible latency. You're not reacting to things; you are seeing the result of an action you requested. You already know it's coming. To say that delays less than your reaction time don't matter is like saying it doesn't matter if your flight is delayed by an hour because it takes 8 hours to cross the Atlantic.
Watching your own hand movements through your phone camera is a good demonstration of this. Set 60 Hz video mode, and the latency is probably less than 30 ms - but still extremely obvious.
it's quite a lot more than 30ms, as phone cameras do some real heavy-weight image processing to compensate for their tiny size, I'm talking neural networks and such. the throughput might be 60fps when it's all conveyor-ed but the latency sure isn't
You're right. Looks like it's more around 90 ms, at least for my iPhone 12 Mini. Test setup was taking a photo of the iPhone 12 Mini watching an incrementing counter on a 50 Hz CRT.
If the animations are effectively 'cancellable', i.e. they don't block input or delay the change in state, this can be reasonable. You can put in a sequence of actions into a UI at a much faster pace than 100ms, if you have the muscle memory for it.
I think this is key to understand the motivation behind pretty and animated UIs. In games it has a different motivation compared to UIs that you use as a tool. If you compare old software to new software, a lot of tab switching and hotkey magic is simply not there anymore. Blender has a notoriously difficult UI but once you get the hang of it, you become very efficient. I think the current way of creating UIs caters to people making decisions of whether to purchase the software but that don't actually use the software in the end.
Everything in reality is animated. Nothing instantaneously snaps between two states. Which is why UX designers want to animate everything, it looks more natural for something to move from one place to the next rather than snap instantaneously. Everything used to be even more animated, ebook readers would play a 3D page turning animation, these days we settle for subtle abstract animations.
Animations are highly effective tools for conveying state information.
Consider a toolbar with a mix of enabled and disabled buttons. Hover effects (which I would consider animations) convey that something is clickable, and on-click effects confirm an action. These effects convey meaningful information to both beginner users and power users of any software, and are in no way inconvenient to either group.
I generally agree animations tend to get in the way when you want to get shit done, but the idea that animations are only applicable as artistic effects rings untrue to me.
Hover effects are a terrible way of indicating if something is clickable, because you have to mouse over them instead of just looking at them. This problem was already solved a long time ago by rendering inactive elements in gray. I'm not sure which GUI did this first, but the Apple Lisa (1983, first mass-market personal computer with a GUI) definitely did it.
Maybe you dislike them, but that does not make for a fact.
Instant transitions are something I strongly prefer and use in practice. There's no question, I don't want my operating system slowing itself down to a factor (literally) of 1000x, pointlessly fading and jiggling and sliding and bouncing and wiggling. And, as this article points out, animations in operating systems often make a visually illegible mess in the meanwhile.
Animations might be a good idea in theory, but it doesn't seem like anyone has figured out how to do them right.
Unless you can back that up, "Majority" is something you're making up. It's a guess.
It also doesn't matter whether it's true if the majority or not- "Instant transitions are only good in theory" is not a true statement. Instant transitions are good in practice for many people and that has been true for decades.
Most people with that opinion keep using apps and devices with animations, but thinking it would be better without them. Very few actually torture themselves like that in practice.
I thought I had disabled animations on android, but it looks like I have it set for half duration.
Probably because I had run into some apps with bugs when animations are disabled, and making them run twice as fast as normal is more compatible and reduce the annoyance enough that I forget its enabled. Apps that animate at normal speed in defiance of my settings get deleted.
But I also set windows not to show window content while moving or resizing, because I find that to be annoying too.
Reducing duration or eliminating animation is one of the first settings I do on a new install.
Most shoulder-surfers who see my phone ask me how everything's so fast, and get me to show them the settings. Being able to disable the extremely-excessive animations many things have nowadays is fantastic, and is a great reminder that hardware actually has made progress in the past two decades.
(I use accessibility -> reduce motion, personally. less flaky than the dev options, though also less reliable)
Games are for fun. Wasting time in a game is fine, that's what it is for. (edit: not saying that pejoratively)
Other applications are to do things. They should do the thing and get out of the way as fast as possible. Animation-induced delays are fundamentally contradictory with that; they waste the user's time instead of doing the thing.
I think the default "product manager wants to build flashy animation" fundamentally contradicts that, but I also don't think it's fair to apply that criticism across all animations.
Good and useful animations communicate something, they're not there just to be there or to make it "pretty", which is most designers use them. But they can actually communicate intent, action, immediacy and other important things, if they're used sparingly in the right situations, without actually getting in the way.
Probably the most basic animation most of us PC users see every day is the very basic animation of a text cursor blinking on/off in text fields, like the one I write it right now. It's super basic, but communicates that the computer is waiting for you, it's alive and you can enter things. If it was static, you get the impression something is stuck instead, or couldn't tell exactly where the cursor is at a glance. But it blinks, and that tells us stuff.
I agree that some things have a use and can do so without getting in the way, but I think as your example illustrates it is mostly to help new or infrequent users who aren't familiar with how the system works and often comes at the expense of regular users. Like mrob mentions (with a wonderful example), I usually want software to function like hand tools where I can just do a thing as quickly as I can do it and without unnecessary distractions. I've turned off cursor blink in my terminal and even though it isn't as bad in the browser I just turned it off in Firefox since you mentioned it (add a new preference ui.caretBlinkTime set to 0). Some of us do get more distracted by this kind of thing than others :/. Same with audio cues.
I do still like progress indicators when you might be waiting on a longer task (and when it actually indicates liveness, which too often it doesn't :( ).
Games I can sometimes appreciate the new user benefits and affecting the pace can sometimes have an artistic intent or relaxation effect that tools should not normally have. I have stopped playing games for excessive animations and will usually quickly (but not always immediately) disable anything that can be disabled. It is so common that I distinctly recall the free game Strange Adventures in Infinite Space intentially doing the opposite to great effect (it has been a bit but I think it was not only instant transitions but on mouse click instead of release).
The cursor animation is actually a great one because it does not add any latency. By comparison, when animations are not disabled on my Pixel 6 it takes almost one second to switch application instead of maybe 100ms (double tapping the app swap button to get to the previous app running).
God yeah smartphones are the worst, Apple (& co) particularly. My iPhone 12 Mini could feel so much faster if I could just disable all the annoying animations that just make everything feel slower instead of being helpful. Setting animation speed to 0x is probably the feature from Android I miss the most.
Hardly any difference. If you haven't seen it before, try an Android phone in your hand and toggle animations 1x/0x and see what a stark difference it is. iOS is still littered with animations all over the place with that toggle enabled.
No they are not used everywhere. Some games with good UI use animations everywhere that an animation is appropriate. But plenty of good UI exist without animations. The point above is that no animation is better than an inappropriate animation.
You're thinking of smear frames. Squash and stretch are animation techniques that are perfectly coherent. Smear frames as well contribute to an overall coherent animation. They're a counterpoint to the general idea put forward in this article, but it's also rarely ever relevant to this type of animation.
Games are games, work is work.
I disabled every animated transitions in my desktop UI. Elements appear instantly at full size in the place they rest and disappear instantly.
Reasons:
1) I'm doing that thousands of times per week, I know what's going to happen
2) It's my desktop, there is no one else who might be puzzled by a non standard behavior
3) It's faster.
By the way, it is a GNOME desktop on Debian 13.
Oops, I lied. I was about to click on Reply and I realized that the bottom panel (which on a standard GNOME is at the top) is on autohide with a short transition. Maybe because it's the only transition that I activate with the mouse pointer: I hit the bottom of the screen and while it's traveling the last pixels the bar starts sliding in. It's very fast.
Slot machines has to have something always going on, overly dynamic Apple animations help with that. For regular UI animations, it helps normal users who struggle with sudden changes in screen contents, as well as helping to smooth out framerate and hide delays caused by API calls or backend processing.
> At the same time, why does everything need motion?
They don't. Most things don't. This kind of nonsense keeps an extra half-dozen people employed, and gives license to a half-dozen other people to smugly proclaim $BRAND's design language is superior to alternatives.
In most of the cases shown, it would probably feel better if the animations weren't there. I clicked the button, show me the thing. Don't do a dance and then show me the thing, just show it!
I think exactly that. When you add motion, do it right, but when you don't put time in to do it right, it's clearly the better option to leave it out completely.
Without animations, much things feel snappier because you don't have to wait on a shitty animation thats running through.
"Back-in-the-days" you'd click and stuff would instantly happen, and I don't remember anything being more difficult to visually interpret.
On my Kubuntu desktop if I disable all animations (the whole compositor) I don't feel there is an increased cognitive load of rescaning things - but maybe it's my preexisting memory of the UIs and certain baked in UI expectations. Maybe this animated stuff helps people that are computer illiterate? (software made for the lowest common denominator)
I think this is actually a perfect example. The animations make it more complicated to follow, not less! If it just highlighted the stuff you were hovered over it would be easy to understand, I honestly don't get the motivation behind the animation.
Well, yeah. This app's UI is horrible. It's both cluttered and sparse. But what's worse, it's ANNOYING.
The key here is that animations happen outside the foveal area. Our vision is tuned to be extremely sensitive to motion and changes _outside_ the foveal area. So when something moves at the corner of your vision, it distracts your attention from your current focus.
This makes a lot of "modern" UI literally anti-productive. It actively _slows_ _down_ people and increases cognitive load.
Outside of dedicated notification areas, a GUI should only change state in response to user action. Because the user requested the state change, they naturally know how it changed. This means any animation is a redundant waste of time.
The notification area doesn't need animations either, because a GUI is only appropriate for displaying non-urgent notifications. If something really needs urgent attention, you need alarms and flashing lights, not an animated "toast".
This isn't true generally. I am personally far more comfortable with disabling smooth scroll. It has more to do with your mind's expectations. Which can vary between people. Some people expect smooth and others don't. Motion itself isn't necessary.
The only time I have to "rescan" is if I input a scroll and anticipate a scroll and it doesn't scroll. It has nothing to do with motion. In fact, in that case, I "rescan" even though the page hasn't changed, but because it doesn't match my expectation that it would change.
The OS shouldn't be making many big changes that force me to reorient. When I'm moving between different UIs I often want to compare them; animations make it harder to compare state A to state B. I can detect very fine differences between two images by switching between them within a second, if there's a 1-second animation it not only means it's going to add a second, it adds a bunch of visual noise which might make it impossible to be able to distinguish what's an actual difference and what's just noise introduced by the animation.
Try using a tiling window manager. I generally dislike animation in my UI, but when a window, especially an unexpected one opens up and changes your layout it can take a second or more to reorient and it can really interrupt your flow. Animation would alleviate that.
That said, I still prefer sway over the animated alternatives for other reasons.
I don't think I would have to rescan the entire page to figure out where things were afterwards. Everything's shifted to the right, just like when I open my browser bookmarks.
>Motion is critical for reorientation after transition.
The only case I can think of where this is true is on scroll, and that barely counts as animation. Anything else is an irritating waste of time.
The absolute worst offence is animating page content on scroll. Great job making me wait on pointless nonsense while scanning your website for the bit I'm looking for. People who do this should be sent to reeducation camps. Both for the animation, and for disregarding 'prefers-reduced-motion'.
It is easier for me to play speed chess with smooth animation of each move rather than when a piece instantly teleports from origin to destination, but I have reason to believe that I'm unusually intolerant to frequent activation of my orienting response.
I think this is a weakly presented argument. The article doesn’t actually present stronger alternatives or even why anything shown is negative to the user. It might be negative but otherwise this is the same vacant critique that is levied by pointing at smear frame or transitional points in media to critique it.
The user also has an untenable maxim. Every frame must make sense? I would posit this is impossible, or I’d ask the author how they’d handle window resizing while keeping every frame perfect.
I also think the author themself finds it easier to point out flawed frames (again without actually explaining why they’re issues) than doing as they say. Tap the header links on their blog and see the animations play after the click is complete. Or go see their own UI projects and see how text and objects don’t stay within their containers. Surely someone saying that this is a tenet that should be followed could demonstrate it themselves.
I think this is just a very hollow critique on their end.
A more competently written article would have focused on why anything shown is bad for the end user, and how they might handle it instead. A good critique should actually include some substance and point to more than just the what, but the why and how.
I think your critique is actually the hollowest thing here.
The article is presenting an idea, not a solution. You've failed to see this and have constructed several strawman arguments in order to critique it.
Most importantly the article does not present itself in a definite sense - it is written with care to say "I think", "Next thought:", "Probably", "So yeah.". This article is a person sharing what they are thinking, and unlike many of my thoughts - it is a fairly complete thought which is clearly sparking many other reasonable people to think along similar lines.
The author doesn't present the solution - but there is no reason they should have to. What an odd and unreasonable bar you set.
I also don't find your attacks on the authors site particularly endearing. The taste gap is well known, and punishing someone for their conceptual contribution outstripping their practical skill is quite... distasteful.
A more competently written critique would have been more charitable and in the spirit of this community.
There’s an irony in you claiming my comment is uncharitable and claiming the article is a discussion point when you haven’t even taken up the question I posited and framed them as a strawman.
Can it be possible to make everything during a user interaction perfect looking? What does that mean?
That was part of my original comment that you skimmed past rather than engaging with. So if you truly believe this should be a starting point of a discussion, then why not even bother taking that point to build a discussion point off of?
I’d also argue that this is not presented as just an idea. That is disingenuous. The author clearly writes “I call these situations “The technology has outsmarted the programmer” “
That is more than just a discussion point but a levied criticism at the skill of the people making things. In turn therefore they’ve set the framing of skill as part of the discussion and I don’t think it’s unfair to point out their own lack of ability to execute to their high standard.
But let’s go by your standard of saying that we shouldn’t take the authors own execution or their own words into consideration but only focus on the core idea they present.
Then that still leaves defining what they consider every frame being perfect. What are the bounds of that statement?
>> The article is presenting an idea, not a solution.
The article establishes an arbitrary standard, provides examples and criticizes them on the basis that they don't meet that arbitrary standard, and then... nothing.
It is easy to criticize something from the outside. Much harder to dig deep, learn the material and understand why it produces the status quo, and then propose workable solutions. That's where the actual value lies.
I'd rather have an imperfect frame now than a perfect frame later. Latency should be the top priority for any UI, because when latency is low enough it feels like a part of your own body, which minimizes cognitive load. Animation is especially bad for this, because animations add hundreds of milliseconds of latency.
Old computers, before double-buffering and compositing, were fast. Single-digit millisecond latency from input to output was common.
Now it’s 30-ish years later and computers have not recovered the latency increase from compositing, double-buffering, and other attempts to make every frame perfect. If you are showing a frame on the screen that has failed to react to input that already occurred, especially more than about 20ms later, that frame is not perfect. It’s extra imperfect if the user cannot easily do what they’re trying to do while waiting for the computer to catch up with them.
But yes, most of the examples in the article are surely both imperfect in the sense the author meant and pointlessly slow, so there is no dichotomy :-/
- No partially loaded content.
- No relayout while content loads.
Holding those as hard rules leads to delay or rejection. Instead, while I agree it's better to have everything up front, gracefully handling cases when we don't is important, and some degree of responsiveness, even with partially loaded content, often makes for a better experience for the user than a delay.
Just be up front about it and find ways to keep continuity of relationship and smoothness. Diffeomorphic mappings are your friend...
I've seen a few comments along the lines of wishing that the author had included examples of solutions. I wrote a very similar post recently that details both the issues with the animations, very similar to this article, as well as how I improved them.
Appreciate heads-up! I just checked Chrome on my Android device and it's all working fine for me. I don't know if I set the page up weirdly but I have to refresh the page sometimes for the videos to show up.
Would be nice if there were some _positive_ examples to go along with all of the negative ones. All I’m really getting from this is that I should avoid animations, which I don’t think is what the author is actually trying to say.
> All I’m really getting from this is that I should avoid animations
Wouldn't be the worst takeaway from the article. You should avoid animation for animation's sake in general. Imagine if we animated letters flying up from your phone's keyboard into the text field as you type them for example.
Most of the animation examples in the article are there to communicate transitions in the UI (eg the movement of a UI element). Functional animations are genuinely a good practice from an accessibility standpoint and not just flourish. It’s just hard to do well.
As a user of software I find myself disabling most transition animations when the OS or application supports it, desktop, mobile and web. Very rarely I find myself turning something back on - either it's actually useful in the situation, or it's done so well that it's pleasant even to an old like me.
I think it's not uncommon for good animations to cheat a bit while in motion, rather than look perfect on every frame. Like how cartoons can use smear frames that look bizarre when paused at the wrong time but when viewed as part of a larger animation help sell the motion visually.
Yeah the difference is that the blur frames are deliberate and purposeful for the overall effect. The animations showcased here are accidental jank that reveal a clobbered together unpolished app.
I don't think this analogy works because the blur frames look good in motion, and the frames in the blog post look terrible in motion. The animation in the first example is so bad that the first time I watched it I thought there was going to be three buttons at the top at the end, and it was weird and disorienting to realize there was only two.
Smear frames are not something often applicable in this kind of animation. Smear frames are just about specific to frame-by-frame animation. No smear frames are demonstrated in this article.
The game Overwatch is a pretty great contemporary example of this [1]. It has some excellent fluid animations, which look really weird if you freeze frame them.
With MacOS I felt there was a major quality change for visual quality & animations when SwiftUI was used BY Apple for the OS and applications.
I'm not a developer, but it felt there were areas where an icon or window just didn't visually work the way it used to or SHOULD in placement or animation.
The hackish-ness hasn't changed over time: there are so many examples throughout the OS/Applications that I want to say "it was always like that", except it wasn't: Apple set the bar and it was high, the quality was exceptional.
I feel there are a lot of hacks going on with SwiftUI to achieve the same UI placement or animation.
Last quick note I think about often: a lot of analog creation was really hard. It still is. When it comes to digital we've been thinking we'll come back to things later, but never do... we build more bad on top of bad... sadly.
An app with no animations at all is going to feel terrible. You can test this out yourself, if you have an Android you can set animation speed to 0x in the developer settings. It is jarring to see instant changes and it actually takes your brain a second to process what happened, and that process is probably slower than having the animation in the first place.
I have mine at 0.5x and that feels sufficient, still fast but I can see apps opening and closing etc.
I'm a happy user of android with animations turned off. It's the only mean to make it somewhat "snappy". IMHO lag is always worse than lack of fancy transient state in input -> UI change context.
Not for me, I always turn off animations. It feels fine for me, and I can operate the phone a lot quicker without having to wait for animations to complete.
I don't turn them off entirely, I kind of enjoy the feeling of momentum animated elements can provide, but I definitely do go in and speed them up massively. I find that when a phone is feeling unresponsive or sluggish, it's usually because I'm moving two steps ahead of the animation and it has to catch up. Feels like tripping on your own feet.
After using Android for like a decade, I eventually succumbed and got a iPhone 12 Mini (back when it was new). I still miss the ability of turning off animations as I could do on Android, and I'm 110% my current phone would feel 200% faster if I could just turn off every damn animation that just exists to exists. I'd much rather have a second to process if that's needed (which I don't think it is), than being slowed down by one second every time an app changes the page, everything feels like molasses when you navigate around.
Try "reduce motion"? It's not quite the same thing (prefers cross-fades in many cases), but it might help. Anecdotally some things are noticeably faster, and not having them swing around before settling lets me get a read on their location faster.
It's jarring to see instant changes that don't make sense. Animations are primarily a way to paper over UI that sucks to begin with.
Many transitions in Android are perfectly fine at 0x animation speed. The majority of transitions that suck without animation suck because the pre-/post-transition layout sucks and the transition between the two states doesn't make sense as a result.
It's the same with several of the transitions in TFA. For example, the address bar placeholder text[1] should just be left-aligned all the time. The save dialog[2] should leave all the basic controls in their original location[3] when switching from the basic mode to the advanced mode. That means the "Where:" label should also remain in the advanced mode, and the controls[4] that pop up to replace it should either be moved to the right or below. The search bar should also be moved down.
These are some really basic details and it is my understanding Apple used to not screw them up nearly as badly.
[3]https://imgur.com/ZpHLCsv Artist's rendition. Please excuse the minor jank and criminal amount of empty space; I couldn't be arsed to fiddle with the screenshots to get pixel-perfect positioning and shrink the advanced dialog horizontally. Bikeshedding over where exactly the new controls belong is welcomed but irrelevant to the point I'm making.
[4]Is it just me, or are their icons uselessly, impenetrably, unhelpful?
An app with no animations feels awesome. It's great and it doesn't take my brain any time to process what happened since I already knew what was going to happen when I press the button that makes things happen on purpose.
This resonated with me, but I would have loved to see some positive examples as well. The tone did not read as a rant, but as someone that doesn't know too much about good UI construction, I did not feel like I walked away any closer to understanding what a North Star should be.
Thanks for highlighting the "one element cross fades into a totally different one" example. That particular type of animation really makes an app feel ungrounded and unreliable to me, it gives a sense that the UI elements aren't really tied closely to the data and are just barely existing. And somehow I see it all the time across tons of apps.
The improved versions where the elements actually transform into each other, sharing the same visual real estate, is so much better.
Ty for the kind words! I completely agree with you too. Compose added a Crossfade modifier that makes it super easy to apply the animation to a content switch but it's often applied in the lazy way you mentioned.
I think a lot of these are because Apple has built animations into their products as first-class citizens, but that means that they need to somehow figure out how to compose them well. (Which obviously is a rather difficult problem to solve!) In my experience, you end up spending a lot more time trying to get all of the animations to work well together than you do on creating the actual UI, and that time is just not worth it if your start and end states are beautiful and intuitive. There's also the cross-UI-framework tax that has come up since Apple has allowed mixing SwiftUI and (App|UI)Kit, and animations are part of that.
I'd slightly rephrase that as "Apple has recently started building pointless animations into their product, instead of sticking to meaningful animations like they were doing since unmemorable times".
Excellent article. The examples from Mac OS Tahoe show how sloppy the work is. Just lazy shit done without attention and care. Steve Jobs would have fired a bunch of people. And this stuff matters:
> This creates a false feeling that something subtly changes when you switch between modes. And you know what? I don’t want my UI to give me false feelings.
The animations in iOS 26 and MacOS Tahoe feel wrong. Almost like an uncanny valley. It makes the UI unpleasant to use.
> The rule of thumb is: If I take a screenshot of your app at any moment, it must make sense
After reading this blog post, I think the rule of thumb should be "If I take a screenshot of your app at any moment (except during animations), it must make sense". I don’t think making sense during an animation should really be a goal, as long as it makes sense before and after.
Well, this is the exact opposite of his point. Of course it should make sense when not animating! That is given. The entire crux of his point is that it should also make during an animation.
In an ideal world, it is hard to argue with. Yes, sure it should make sense. But also, please don't spend precious cycles on this unless all the other bugs are fixed, and this animation consistency is truly the most important remaining issue to address.
It's like you read until that point, but then didn't read the justification for why it makes sense to care about frames during the animation, the author does outline a bunch of reasons why it should make sense during the entire thing.
Maybe I've just spent too many years as a pixel-perfect chasing frontend developer, but things can look very janky if they jump out of place during animations, compared to where they are before/after.
> It's like you read until that point, but then didn't read the justification
My comment starts with "After reading this blog post"; of course I read it, but it left me totally unconvinced, especially because the author doesn’t bother showing good examples: he criticizes these and then leave you with a random raccoon animation and that’s all. For example, I don’t understand what’s wrong with the Youtube animation; it looks perfectly fine to me.
But the author tried to show exactly that, if screenshots during animation don't look sensible, it points to animation as a whole not making sense - it being either messy, overlapping, or confusing - and, in general, eroding the user's trust.
Yes and I disagree. Youtube doesn’t "erode the user’s trust" with an animation that the author of this post finds yanky just because if you take a screenshot in the middle of it you see a frame that no real user sees that doesn’t look good.
I first heard something similar taking motion design classes in art school: every frame should look good. Transitions and animations that have bad in-betweens look bad overall
This is begging for someone to spin up Mac OS X Tiger or Snow Leopard and compare! I recall their butter smooth rollout animations looking pixel perfect
I suspect the specific versions you call out were in that time period for a reason.
Snow Leopard was the first to integrate iOS's CoreAnimation framework. Nearly all animations now are based on that. Before, the CPU manually updated the sizes and positions of things, frame by frame, in a loop. This is how you'd program a Game Engine.
After, with CA, state-change property models are sent to a different process entirely which does its own interpolation to animate the UI at a higher thread-priority than any other process in the operating system. This is fantastic if maintaining 60+ FPS at all times, even on an iPhone 1 or 3G with less power than you'd have in today's AirPod chips, was a central requirement. (And it was, the first iPhones dominated their competitors in terms of input latency and framerate)
But programming CoreAnimation is much more complicated and easy to make mistakes in if you want "every frame perfect". Trust me, I made a lot of the animations that shipped in iOS 7 (the Calendar app is full of them, OS level transitions for the core chome elements of iOS). It took nearly a year of meticulousness to get things looking ok. In the years since I left the company, I've noticed these transitions get more and more janky and buggy and full of artifacts. Clearly, whoever replaced me doesn't have the same eye and sense of craft. Oh well.
There’s a similar principle of congruence in information visualization, stated in Animated Transitions in Statistical Data Graphics by Heer & Robertson as: “Maintain valid data graphics during transitions. To ensure viewers’
mental models are congruent with the semantics of the data, we
suggest that, as much as possible, intermediate interpolation states
remain valid data graphics.” https://idl.uw.edu/papers/animated-transitions
The entire premise of this article is wrong and derived from a misquote. Kristian Høgsberg, in Wayland stated his goal was a system in which "every frame is perfect, by which I mean that applications will be able to control the rendering enough that we'll never see tearing, lag, redrawing or flicker."
It had nothing to do with "if I take a screenshot of your app at any moment, it must make sense." As others here have pointed out - this entire article is very poorly conceived.
The entire premise of your comment is wrong and derived from not understanding this quote of the author:
> Wayland is talking about the technical side of things (modern GPU stacks are very complex and Wayland is trying to take control back) but it could be applied to UI too.
The KDE start menu has always annoyed me (well, since whenever they switched from the Windows 95 inspired one to the XP or Vista inspired one) for this reason. When you switch views, the view switches immediately (which is good) but the indicator animates slowly from one state to the other.
The result is that the indicator is not really indicating what it's supposed to (since it's out of sync with the view): It's indicating the old view when I'm already in the new one, and then it's indicating something between the old and new views, when clearly I'm not between views at all. So it's completely wrong for the entire animation until it finishes.
I feel like OP brought up a good problem to solve, with no solution. I dream of the days where posts like these end with "5 ways to better execute on this today".
Instead, we get a zooming in/out raccoon (making fun of the reader, IMO) for recognizing this problem via the OP author.
Maybe it's just a really hard problem to solve across all devices & latencies... Perhaps more time needs spent on "problem solving" vs "problem description".
The expectations set for what turns out to be an article without solutions are also raised by the title the author chose. Show us these mythical perfect frames?
These aren’t bugs in the traditional sense. They built the animation system to work like this, and replaced the old system that didn’t produce these psychedelic transition states.
Feels like UI elements have a lot of abstractions that are not perfect for motions.
With every hack you work around the layout engine that gives you this simplicity of defining layouts.
Some libraries allow you to define keyframes for the motions in between, but it still isn't perfect, especially if you look at the youtube sample where one element overlaps the other and the animation would take up too much time or look odd if this wasn't the case.
Even if you perfect all of this, would you really want to spend more processing power and script weight on these aspects?
I feel like most UIs have severe latency issues out of the box, anything that doesn't address the elephant in the room adds insult to injury.
Never use animation just for the sake of it. This article would not have existed had software designers stuck to this rule. All examples in the article use completely unnecessary animation.
Curious is there most efficient&precise(SOTA?) way to create animations/transitions(like theorem), I've written some of these and really hard to figure and fix out(e.g like the zoom animation from last section of page).
We do not perceive the world as a series of still frames. Any UI forcing that upon us is unnatural and will break immersion in subtle and unexpected ways. Apple and macOS may have their faults but the UI design is head and shoulders above anything the Wayland team has produced to date.
The application of "every frame perfect" to the mouse pointer ranges from neutral to actively harmful. It causes roughly 1 frame of delay, which can be enough to bump the display-eye-hand-mouse loop out of whack (this seems to be different from person to person). It also causes pointer stutter when the system is under load side the pointer can't be independently updated.
Re: YouTube example, the issue (as I understand it, and I'm what you could describe as the opposite of an expert in that) is that the video and the playlist blend with transparency over one another. Had the playlist appeared sliding from the right side of the screen, it would have worked (I guess).
Dragning downwards on the iPhone Home Screen to search is a perfect example, the gradual blur animation is never auto playing once activated. Instead, it responds to your drag and you are always in control.
The title reminds me of The Simpsons, watch an episode and pause it. Unlike live action, every frame of The Simpsons is art. It is almost unbearable to internalize the sheer volume of purposely constructed images that The Simpsons is sending at you. Gluttonous in scale.
It would have been compelling to describe / show what it should have looked like. Because the only alternative for some of these would just be sharp jumps instead of any animation - animating simultaneous appearance and transition of information will inherently result in frames that look imperfect.
Positive examples are all other animations that do work well, or are just animated in After Effects, for which there are plenty of examples online already, like on Twitter.
Great article, the worst offender is compact tab mode in the current Safari. The animations they implemented make that unusable, sometimes it’ll move tabs away from where the tab was when clicking, the animation always look clunky and the entire experience feels utterly untested. Doesn’t just look poor, but violates quite a lot of HIG rules Apple recommends for third party devs. Maybe something to focus on in a part two of this article.
Bah, each time someone say this they "forgot" that one side effect of 'every frame is perfect' is that it can increase latency..
Perfection or latency? That should be the user's choice not the developer's..
Animation should convey meaning, not achieve pixel-perfect morphs between states.
When iOS first launched, some of the brilliance was in how UI elements transformed into one another—a title in the title bar becoming a "back" button on the left, for instance. There were no intricate morphs, just a simple cross-dissolve between two elements shown briefly at the same time. It read as meaningful without being literal.
The Crop/Adjust example doesn't hold up here, because the two modes don't share a focus. The crop animation is deliberately different: it emphasizes the cropping controls at the edges of the image that you might otherwise miss, prepping you visually for the task and tying the controls into the image workspace. Adjust mode has no direct controls on the image itself, so the transition out should differ. The mismatch is the point, not a flaw.
For most UI, you don't need pixel-perfect morphs between small elements. The real job of animation and behavior is to convey meaning and context. Make your transitions pixel-perfect and most people would never notice the difference.
This silly pretentiousness goes a long way to explain why it took so long for Wayland to even be usable.
I get that this is the way of the world, but I still think we'd have been be better off with, you know, real attention paid to classic free/open source ideas (like not breaking backward compatibility.)
A really infuriating example of this is the Windows Photos app (or whatever it is called this month) where scrolling through a photo album will show every image jumping around as it first shows them at some arbitrary scale, and then fits them to the window.
Articles from this site pop up occasionally. Something about the background color causes me to see a medium-sized bright spot in my vision after a few minutes. Due to this, I have to remind myself not to click when I see the URL.
The thing about UI animation is that even if no tween frame was ever hinky I'd still turn it off because it's an anti-pattern. It's there to look good on a retail shelf, not to improve day to day usage.
On a personal level, if thing works - I say, cool, lets focus on something else now.
But I have worked with people who are similar to the author and we will get into the conversation:
- they: wait, but the bundle size is 2.4Mb, it can be improved a lot
- me: by how much? and we have 10k users/day and we have cache policy setup
- they: we can reduce it to 1Mb, imagine saving 10k*1.4Mb every day
- me: yeah, but its not costing us much, if you focus on making it perfect your salary will cost us 2 years of outbound traffic cost.
- they: no, but its not perfect
I admire those people, because they're valuable asset in some companies (e.g. Google scale, saving 1.4Mb for 1 Billion people every day is a lot), but my mind doesn't even want to think about what's perfect.
How do I get there? What are the resources I can read and learn from to look at things to make them perfect?
The issue with “premature optimization is bad” is that some see it as a permission to not optimize at all. Hence you eventually end up with a system where everything is bad.
—
Although for some of us being obsessive-compulsive weirdos this is the only way of life: an itch that keeps on physically scratching until resolved.
“Be guided by beauty. I really mean that. Pretty much everything I’ve done has had an aesthetic component, at least to me. Now you might think ‘well, building a company that’s trading bonds, what’s so aesthetic about that?’ But, what’s aesthetic about it is doing it right. Getting the right kind of people, and approaching the problem, and doing it right […] it’s a beautiful thing to do something right.”
Absolutely, but on the other hand businesses operate with lots of broken windows as well, and they are fine with it.
Dilemma I am having is, on one side, business needs my best judgement for today and short term, because this is how most businesses survive, on the other hand, on a personal level I feel like I am stuck making non-perfect decisions, hence I can't even think about perfect world, because I am not training that part of my brain.
Starting from a literal bandwidth costs perspective definitely won't get you there. I'd start by trying to feel personally annoyed by things like that. Then maybe try to feel more annoyed, since you know it'll touch every customer forever.
In that bandwidth case I'd be annoyed by the waste which kind of pervades software already, and it'd feel great to know at least we countered it a little bit.
Computer graphics is all about exploiting features of the human visual system. We perceive things differently when they're moving vs. when they're standing still. It's very possible that a "wrong" frame in isolation is the best looking one in a real-time context. We can also pick apart screenshots but these don't capture everything about how the user perceives a display in real-world lighting conditions.
I would draw an analogy to film. A fast tracking shot might look bad on individual frames because of motion blur. A wide-angle shot might make some objects look "wrong" because of optical distortion. But these are still the right choice if they have the intended artistic effect in the theater.
Adding the correct blur to motion makes it appear clearer but seen as a still, it's obviously not clearer. The nuance is correct motion blur appears clearer while guaranteeing it's as clear as the human visual system can perceive moving details at that speed, so no perceptual detail is actually lost. It's a method that objectively improves perception which only works in motion. If frozen, the method breaks. Thus, evaluating motion blurred stills for clarity or interpretability is incorrect.
The rest of the article focuses on details of proper implementation while missing the opportunity to question whether some of these animations should exist at all. IMHO, motion can be a valuable affordance in limited doses but it's reached a point of overuse and, in some cases, outright abuse of the user's visual field and cognitive load. Designers (and their PMs) see it as a badge of 'Refined Modern UX' but it's devolved into a trendy gimmick aping good design without being good design.
Yes, I think we agree. When a thing is becoming a larger/smaller form of itself in a different place, it can be useful to cue the relationship visually with motion. But there are times when the change or displacement is minor enough, I do prefer 'just do it', even when the animation is hyper-fast. It's just more visual/cognitive clutter.
It's obviously situational, and if such motion is always very fast, consistent and well-motivated, it never rises to the level of annoying me. I might personally prefer some instances where, if the position overlaps and the size change is minor, just skipping it, but it's not 'bad'. I think the key may be that, done properly, such motion should cognitively be a 'barely there' hint. The moment a state-change animation rises to having perceivable aesthetic value, like being 'pleasing', it's too much.
As the senior product owner, I once had a new designer argue that if an animation was as fast as I wanted, no one would be able to appreciate the excellent S-curve ease-in/out. :-) I had to explain if a simple state-change animation was slow enough to be consciously 'appreciated', it had failed in its purpose.
Or you find out you can input as the animation happens, but when the animation finishes, you’ve lost where your input ended up and don’t know if you can backspace/delete and retype.
(Yes, I’m expressing multiple issues here w/ui & animation & input)
Also: Apple dumped Flash ~15 yrs ago, so whatever it is... it's very slow. The larger, more recent suspects for any "collapse of Adobe empire" would be "Adobe forcing $ubscription model" and "rise of Figma."
It's one thing if the frame halfway through an animation looks a bit "funny", but is still completely logically correct. It is another if the intermediate state of the animation legitimately doesn't make any sense and is just the result of not really caring about what actually goes on during the animation. In that case I'd almost rather just not have the animation at all, or just have a simpler one.
[1] https://xcancel.com/hf_rosa/status/1089675426312552449
Look at the youtube example - it has two pieces of UI animating from from a start point to an end point, and the paths are such that they momentarily overlap. There's nothing buggy or janky about it in motion; TFA is just saying that if you ignore the motion and take a screenshot mid-transition it looks odd. Same complaint as what GP describes, and silly for the same reasons.
I agree the YouTube example isn't the worst one, but also at the same time, I don't agree with you that there is nothing buggy or janky about it.
https://tonsky.me/blog/every-frame-perfect/youtube@1x.png?t=...
There is no logical reason for there to be two copies of the video rendered at once. The video is literally resizing into position, while all of the UI elements shift around it. Why would there be more than one copy of the thing that is resizing?
I will relent on only one thing: "If I take a screenshot of your app at any moment, it must make sense" is too strong of a statement on its own. The context that it is a screenshot of an animation is important, just like cartoon inbetween frames. However, I think if you're being generous with interpretation you can allow this to be implied.
That said, I think it's fair to hold most practical UIs to a different standard. Prioritizing amusement leads to a lot of strange non-ergonomic places.
[0] https://en.wikipedia.org/wiki/Squash_and_stretch
GP's point is that those frames aren't broken, but they're intentional and calculated, and so they're not even relevant here.
Impressive and creative yes. Viewable? Not to me.
I do like the point the article makes about using ui fidelity as a proxy for software quality, and agree that they pointed out some bad animations. But, I think you hit the nail on the head .. frame by frame coherence isn't the best yardstick for measuring animation "goodness".
I wouldn't mind it, if he had supplied suggested mitigations.
I think every one of those animations are system-supplied ones. Some are likely SwiftUI ones, which heavily abstract you from the iron, and, if other frameworks are supplied, the abstraction goes even farther.
It can be a major engineering effort, to improve a half-second animation.
That said, this is how designers work. I have worked with some of the top designers in the world, and it can be tempting to want to strangle them, as they choose a half-pixel alias as the hill to die on.
But if we try to work with them, it can make an enormous difference in how users react to our software.
Yes, this is a major factor for the regression in overall UI quality and consistency on Apple platforms. SwiftUI aims to make all those fancy animations transitions a single line view modifier rather than 30 lines of manually specified CoreAnimation easing curves and manual animation blocks, but it results in a lot of things just feeling janky, because one-size-fits-all rule and precise polish are fundamentally at odds.
I find AI to feel real nice for pushing delight like this further than I used to have time for as it was never a priority.
For example?
I hacked a Panasonic GH1 to use 24fps in 2014. My newer camera, the GX85 includes this frame rate by default. Movies look more dreamlike in 24fps, due to the magic number of resetting some cycle every 5 seconds (24 frames in 5 seconds is 120 frames). Seinfeld was also filmed in 24fps. Maybe the jokes sounded funnier becaue of that? I don't know, but I enjoy playing games at 20- 30fps more than 60fps for the cinematic effect.
Some of this is also just learned and cultural. 24fps looks like movies because movies are 24fps and you have learned to make that association. In the same way certain color grades and aspect ratios look cinematic, just because that's a reinforced association rather than an inherent fact.
Maybe that’s sometimes true. But, more often, the intermediate states will contribute in a predictable way to the overall look of the animation and if the intermediate states don’t look coherent, then the animation as a whole will be hard to understand.
The examples in the article make this clear. For example, the search box where the initial text animates from the middle while the cursor starts on the left. That disconnects the text from the cursor. There’s no reason for that. It’s just shitty animation work.
The idea that I would defend screen shake is a complete straw man. How do you get from my comment to that conclusion?
This is just true though. It isn't the only thing that matters but if you are creating a game or a video sometimes you do capture things frame by frame to understand why something looks off when animated.
Your film thing isn't an analogy, you are trying to say film is an example where some frames have motion blur so they don't look good, but since that's okay in film, it should be okay in software and apps. The word "good" is being overloaded to mean different things in each example. Screen shake in a video game or chromatic abberation in a film can be good in those contexts because they are the intent of the artistic direction. Maybe if you are hung up on the word "good" replace it with "appropriate" or "intentional".
The save dialog, albeit a little shakey, is nowhere as chaotic as in your example. The buttons in Notes move between panes in a perfect seamless manner. Albeit the animation occasionally glitches out when you repeatedly focus and deselect the Safari bar, the cursor is perfectly timed with the text, only fading in after the text is done moving to the left. The Preview bug must be something recent too, I can't reproduce this.
https://streamable.com/kx7op6
I miss it when companies like Apple, Sony, and IBM paid attention to the smallest details. Apple in particular earned its current valuation with the iPhone, an all-touch device that did nothing extraordinary compared to Windows Mobile and Symbian PDAs of the time (and was in fact functionally lagging behind compared, failing to even match the then-contemporary feature phones in some areas) BUT one that you didn't actually want to smash against a wall after a few minutes of use. Now these animations are bringing back exactly the Windows Mobile and Symbian vibes.
Remember how happy Steve used to be with OS X animations? He would replay them on stage multiple times, in slow motion. These though, these would have the people behind them face the fate of the iPhone 4 antenna man.
At the same time, why does everything need motion? My understanding is that motion should be used if an action subtly changes the UI in a region that's different from where the action was triggered (e.g. toasts)
I think many of these transitions are unnecessary and would feel just as good if they snapped immediately with instantaneous reflow.
The cursor appears on the left because that’s where the user will actually start writing. I assume that’s where people look, if they know the UI. Having it appear in the middle of the screen and then move over would be unnecessary and distracting.
The stand-in text slides over to the left, to draw the attention of the unfamiliar user.
This is following a more important rule which is "Never make keyboard input timing dependent!" I'm looking at you new Windows start menu and VS Code quick open.
Compare an ordinary pencil (no animations, movement is directly tied to your hand) to a pencil with a pompom on a spring attached to the end. Which is most fun for brief use? Which would you rather write a whole page of text with?
One of the ways to achieve this is to not actually transition between states, but simply animate the "end bounce" of an introduced element, as if it was eased into position. So not actually slid from the left, for example, but rebounding the last few pixels from an imaginary slide. Our eyes just draw their conclusions to inform us of a movement, and in exchange the component is readable and usable immediately.
[1] ~100ms represents optimal reflex time in recent research. [2] Anything that requires user attention to interact after the component appears is very comfortable with a 150ms transition. One important note is that for components you can navigate across (i.e. one key shortcut invokes a modal state, another key runs a command in that modal), experienced users will "type" consecutive shortcuts in one go, and you must have the second behaviour responsive from frame 1.
[2] Some athletes seem to train down to ~80ms on very specific reflexes, which recently lead to race-start controversies when block timers disqualify sub-100ms reactions for runners.
For unpredictable inputs. Intervals between a human own actions or discrepancies in delays between successive external events can be effected or perceived with significantly greater precision, especially for people with e.g. music training, especially for percussionists. I’d bet on somewhere between one and two orders of magnitude more precision, that is single-digit milliseconds, at higher skill levels. (Chopin’s Fantaisie-Impromptu is among the easier rhythm-based parlour tricks and already requires staying below ~30ms of error. Alternatively, a single frame at 60fps is 17ms, and speedrunners can hit single frames of a game pretty reliably.)
Consider a toolbar with a mix of enabled and disabled buttons. Hover effects (which I would consider animations) convey that something is clickable, and on-click effects confirm an action. These effects convey meaningful information to both beginner users and power users of any software, and are in no way inconvenient to either group.
I generally agree animations tend to get in the way when you want to get shit done, but the idea that animations are only applicable as artistic effects rings untrue to me.
Instant transitions are something I strongly prefer and use in practice. There's no question, I don't want my operating system slowing itself down to a factor (literally) of 1000x, pointlessly fading and jiggling and sliding and bouncing and wiggling. And, as this article points out, animations in operating systems often make a visually illegible mess in the meanwhile.
Animations might be a good idea in theory, but it doesn't seem like anyone has figured out how to do them right.
It also doesn't matter whether it's true if the majority or not- "Instant transitions are only good in theory" is not a true statement. Instant transitions are good in practice for many people and that has been true for decades.
Maybe software programs got faster with our faster CPUs but all the animations just made everything feel slow.
Probably because I had run into some apps with bugs when animations are disabled, and making them run twice as fast as normal is more compatible and reduce the annoyance enough that I forget its enabled. Apps that animate at normal speed in defiance of my settings get deleted.
But I also set windows not to show window content while moving or resizing, because I find that to be annoying too.
Reducing duration or eliminating animation is one of the first settings I do on a new install.
Your experiences are not universal.
(I use accessibility -> reduce motion, personally. less flaky than the dev options, though also less reliable)
Other applications are to do things. They should do the thing and get out of the way as fast as possible. Animation-induced delays are fundamentally contradictory with that; they waste the user's time instead of doing the thing.
Good and useful animations communicate something, they're not there just to be there or to make it "pretty", which is most designers use them. But they can actually communicate intent, action, immediacy and other important things, if they're used sparingly in the right situations, without actually getting in the way.
Probably the most basic animation most of us PC users see every day is the very basic animation of a text cursor blinking on/off in text fields, like the one I write it right now. It's super basic, but communicates that the computer is waiting for you, it's alive and you can enter things. If it was static, you get the impression something is stuck instead, or couldn't tell exactly where the cursor is at a glance. But it blinks, and that tells us stuff.
I do still like progress indicators when you might be waiting on a longer task (and when it actually indicates liveness, which too often it doesn't :( ).
Games I can sometimes appreciate the new user benefits and affecting the pace can sometimes have an artistic intent or relaxation effect that tools should not normally have. I have stopped playing games for excessive animations and will usually quickly (but not always immediately) disable anything that can be disabled. It is so common that I distinctly recall the free game Strange Adventures in Infinite Space intentially doing the opposite to great effect (it has been a bit but I think it was not only instant transitions but on mouse click instead of release).
https://rich.itch.io/strangeadventures
Squash and stretch is a whole art style that relies on unrealistic frames.
Reasons:
1) I'm doing that thousands of times per week, I know what's going to happen
2) It's my desktop, there is no one else who might be puzzled by a non standard behavior
3) It's faster.
By the way, it is a GNOME desktop on Debian 13.
Oops, I lied. I was about to click on Reply and I realized that the bottom panel (which on a standard GNOME is at the top) is on autohide with a short transition. Maybe because it's the only transition that I activate with the mouse pointer: I hit the bottom of the screen and while it's traveling the last pixels the bar starts sliding in. It's very fast.
They don't. Most things don't. This kind of nonsense keeps an extra half-dozen people employed, and gives license to a half-dozen other people to smugly proclaim $BRAND's design language is superior to alternatives.
In most of the cases shown, it would probably feel better if the animations weren't there. I clicked the button, show me the thing. Don't do a dance and then show me the thing, just show it!
Often with out it your brain has to rescan the entire page on each refresh.
"Back-in-the-days" you'd click and stuff would instantly happen, and I don't remember anything being more difficult to visually interpret.
On my Kubuntu desktop if I disable all animations (the whole compositor) I don't feel there is an increased cognitive load of rescaning things - but maybe it's my preexisting memory of the UIs and certain baked in UI expectations. Maybe this animated stuff helps people that are computer illiterate? (software made for the lowest common denominator)
[0] https://app.ilograph.com/demo.ilograph.Ilograph/Request
The key here is that animations happen outside the foveal area. Our vision is tuned to be extremely sensitive to motion and changes _outside_ the foveal area. So when something moves at the corner of your vision, it distracts your attention from your current focus.
This makes a lot of "modern" UI literally anti-productive. It actively _slows_ _down_ people and increases cognitive load.
The notification area doesn't need animations either, because a GUI is only appropriate for displaying non-urgent notifications. If something really needs urgent attention, you need alarms and flashing lights, not an animated "toast".
I think it should work this way vs “how it be”
The only time I have to "rescan" is if I input a scroll and anticipate a scroll and it doesn't scroll. It has nothing to do with motion. In fact, in that case, I "rescan" even though the page hasn't changed, but because it doesn't match my expectation that it would change.
Proceeds to give a self only data point
Come on guy. Think a bit.
That said, I still prefer sway over the animated alternatives for other reasons.
https://tonsky.me/blog/every-frame-perfect/toolbar@2x.mp4, for example
I don't think I would have to rescan the entire page to figure out where things were afterwards. Everything's shifted to the right, just like when I open my browser bookmarks.
The only case I can think of where this is true is on scroll, and that barely counts as animation. Anything else is an irritating waste of time.
The absolute worst offence is animating page content on scroll. Great job making me wait on pointless nonsense while scanning your website for the bit I'm looking for. People who do this should be sent to reeducation camps. Both for the animation, and for disregarding 'prefers-reduced-motion'.
I think this is a weakly presented argument. The article doesn’t actually present stronger alternatives or even why anything shown is negative to the user. It might be negative but otherwise this is the same vacant critique that is levied by pointing at smear frame or transitional points in media to critique it.
The user also has an untenable maxim. Every frame must make sense? I would posit this is impossible, or I’d ask the author how they’d handle window resizing while keeping every frame perfect.
I also think the author themself finds it easier to point out flawed frames (again without actually explaining why they’re issues) than doing as they say. Tap the header links on their blog and see the animations play after the click is complete. Or go see their own UI projects and see how text and objects don’t stay within their containers. Surely someone saying that this is a tenet that should be followed could demonstrate it themselves.
I think this is just a very hollow critique on their end.
A more competently written article would have focused on why anything shown is bad for the end user, and how they might handle it instead. A good critique should actually include some substance and point to more than just the what, but the why and how.
The article is presenting an idea, not a solution. You've failed to see this and have constructed several strawman arguments in order to critique it.
Most importantly the article does not present itself in a definite sense - it is written with care to say "I think", "Next thought:", "Probably", "So yeah.". This article is a person sharing what they are thinking, and unlike many of my thoughts - it is a fairly complete thought which is clearly sparking many other reasonable people to think along similar lines.
The author doesn't present the solution - but there is no reason they should have to. What an odd and unreasonable bar you set.
I also don't find your attacks on the authors site particularly endearing. The taste gap is well known, and punishing someone for their conceptual contribution outstripping their practical skill is quite... distasteful.
A more competently written critique would have been more charitable and in the spirit of this community.
Can it be possible to make everything during a user interaction perfect looking? What does that mean?
That was part of my original comment that you skimmed past rather than engaging with. So if you truly believe this should be a starting point of a discussion, then why not even bother taking that point to build a discussion point off of?
I’d also argue that this is not presented as just an idea. That is disingenuous. The author clearly writes “I call these situations “The technology has outsmarted the programmer” “
That is more than just a discussion point but a levied criticism at the skill of the people making things. In turn therefore they’ve set the framing of skill as part of the discussion and I don’t think it’s unfair to point out their own lack of ability to execute to their high standard.
But let’s go by your standard of saying that we shouldn’t take the authors own execution or their own words into consideration but only focus on the core idea they present.
Then that still leaves defining what they consider every frame being perfect. What are the bounds of that statement?
The article establishes an arbitrary standard, provides examples and criticizes them on the basis that they don't meet that arbitrary standard, and then... nothing.
It is easy to criticize something from the outside. Much harder to dig deep, learn the material and understand why it produces the status quo, and then propose workable solutions. That's where the actual value lies.
Now it’s 30-ish years later and computers have not recovered the latency increase from compositing, double-buffering, and other attempts to make every frame perfect. If you are showing a frame on the screen that has failed to react to input that already occurred, especially more than about 20ms later, that frame is not perfect. It’s extra imperfect if the user cannot easily do what they’re trying to do while waiting for the computer to catch up with them.
But yes, most of the examples in the article are surely both imperfect in the sense the author meant and pointlessly slow, so there is no dichotomy :-/
- No partially loaded content. - No relayout while content loads.
Holding those as hard rules leads to delay or rejection. Instead, while I agree it's better to have everything up front, gracefully handling cases when we don't is important, and some degree of responsiveness, even with partially loaded content, often makes for a better experience for the user than a delay.
Just be up front about it and find ways to keep continuity of relationship and smoothness. Diffeomorphic mappings are your friend...
Like the issue with the osx side bar transition is that the order of operations makes no sense.
When expanding, it makes the buttons vanish only to animate their reappearance from nothing once a panel slides over them.
It would make sense in the physical world if the panel occluded the buttons during transition.
During closing, the reverse problem happens. The buttons aren’t occluded but clip through the panel like it became water.
It happens fast but not so fast that you can’t see it, and there is an unnecessary distortion.
In today’s world of AI, good taste is all we human workers have so we should call out cut corners.
For anyone curious, https://www.thisischris.dev/projects/project-6/
Wouldn't be the worst takeaway from the article. You should avoid animation for animation's sake in general. Imagine if we animated letters flying up from your phone's keyboard into the text field as you type them for example.
[1]: https://youtu.be/vIdeGmN__Pw?t=550
With MacOS I felt there was a major quality change for visual quality & animations when SwiftUI was used BY Apple for the OS and applications.
I'm not a developer, but it felt there were areas where an icon or window just didn't visually work the way it used to or SHOULD in placement or animation.
The hackish-ness hasn't changed over time: there are so many examples throughout the OS/Applications that I want to say "it was always like that", except it wasn't: Apple set the bar and it was high, the quality was exceptional.
I feel there are a lot of hacks going on with SwiftUI to achieve the same UI placement or animation.
Last quick note I think about often: a lot of analog creation was really hard. It still is. When it comes to digital we've been thinking we'll come back to things later, but never do... we build more bad on top of bad... sadly.
I have mine at 0.5x and that feels sufficient, still fast but I can see apps opening and closing etc.
The problem with 0x is that it seems to only affect like 90% of the UI. Certain things still animate, and the cadence feels awful as a result.
At 0.5x the stuff that's mysteriously unaffected by the animation speed setting isn't as jarring.
I would use 0x if it worked properly.
Many transitions in Android are perfectly fine at 0x animation speed. The majority of transitions that suck without animation suck because the pre-/post-transition layout sucks and the transition between the two states doesn't make sense as a result.
It's the same with several of the transitions in TFA. For example, the address bar placeholder text[1] should just be left-aligned all the time. The save dialog[2] should leave all the basic controls in their original location[3] when switching from the basic mode to the advanced mode. That means the "Where:" label should also remain in the advanced mode, and the controls[4] that pop up to replace it should either be moved to the right or below. The search bar should also be moved down.
These are some really basic details and it is my understanding Apple used to not screw them up nearly as badly.
[1]https://tonsky.me/blog/every-frame-perfect/safari@2x.mp4?t=1...
[2]https://tonsky.me/blog/every-frame-perfect/save@1x.mp4?t=178...
[3]https://imgur.com/ZpHLCsv Artist's rendition. Please excuse the minor jank and criminal amount of empty space; I couldn't be arsed to fiddle with the screenshots to get pixel-perfect positioning and shrink the advanced dialog horizontally. Bikeshedding over where exactly the new controls belong is welcomed but irrelevant to the point I'm making.
[4]Is it just me, or are their icons uselessly, impenetrably, unhelpful?
If you're curious, you can see it here: https://www.thisischris.dev/projects/project-6/
The improved versions where the elements actually transform into each other, sharing the same visual real estate, is so much better.
Old Apple knew not to overdo things.
> This creates a false feeling that something subtly changes when you switch between modes. And you know what? I don’t want my UI to give me false feelings.
The animations in iOS 26 and MacOS Tahoe feel wrong. Almost like an uncanny valley. It makes the UI unpleasant to use.
I just look at the largest tech companies in the world that with their unlimited finances cannot produce software that isn't glitchy like this.
After reading this blog post, I think the rule of thumb should be "If I take a screenshot of your app at any moment (except during animations), it must make sense". I don’t think making sense during an animation should really be a goal, as long as it makes sense before and after.
In an ideal world, it is hard to argue with. Yes, sure it should make sense. But also, please don't spend precious cycles on this unless all the other bugs are fixed, and this animation consistency is truly the most important remaining issue to address.
Maybe I've just spent too many years as a pixel-perfect chasing frontend developer, but things can look very janky if they jump out of place during animations, compared to where they are before/after.
My comment starts with "After reading this blog post"; of course I read it, but it left me totally unconvinced, especially because the author doesn’t bother showing good examples: he criticizes these and then leave you with a random raccoon animation and that’s all. For example, I don’t understand what’s wrong with the Youtube animation; it looks perfectly fine to me.
Snow Leopard was the first to integrate iOS's CoreAnimation framework. Nearly all animations now are based on that. Before, the CPU manually updated the sizes and positions of things, frame by frame, in a loop. This is how you'd program a Game Engine.
After, with CA, state-change property models are sent to a different process entirely which does its own interpolation to animate the UI at a higher thread-priority than any other process in the operating system. This is fantastic if maintaining 60+ FPS at all times, even on an iPhone 1 or 3G with less power than you'd have in today's AirPod chips, was a central requirement. (And it was, the first iPhones dominated their competitors in terms of input latency and framerate)
But programming CoreAnimation is much more complicated and easy to make mistakes in if you want "every frame perfect". Trust me, I made a lot of the animations that shipped in iOS 7 (the Calendar app is full of them, OS level transitions for the core chome elements of iOS). It took nearly a year of meticulousness to get things looking ok. In the years since I left the company, I've noticed these transitions get more and more janky and buggy and full of artifacts. Clearly, whoever replaced me doesn't have the same eye and sense of craft. Oh well.
It had nothing to do with "if I take a screenshot of your app at any moment, it must make sense." As others here have pointed out - this entire article is very poorly conceived.
> Wayland is talking about the technical side of things (modern GPU stacks are very complex and Wayland is trying to take control back) but it could be applied to UI too.
The result is that the indicator is not really indicating what it's supposed to (since it's out of sync with the view): It's indicating the old view when I'm already in the new one, and then it's indicating something between the old and new views, when clearly I'm not between views at all. So it's completely wrong for the entire animation until it finishes.
Instead, we get a zooming in/out raccoon (making fun of the reader, IMO) for recognizing this problem via the OP author.
Maybe it's just a really hard problem to solve across all devices & latencies... Perhaps more time needs spent on "problem solving" vs "problem description".
It's easy to criticize.
Wasting processing cycles making things look pretty yet it almost always results in a worse situation for the user.
When iOS first launched, some of the brilliance was in how UI elements transformed into one another—a title in the title bar becoming a "back" button on the left, for instance. There were no intricate morphs, just a simple cross-dissolve between two elements shown briefly at the same time. It read as meaningful without being literal.
The Crop/Adjust example doesn't hold up here, because the two modes don't share a focus. The crop animation is deliberately different: it emphasizes the cropping controls at the edges of the image that you might otherwise miss, prepping you visually for the task and tying the controls into the image workspace. Adjust mode has no direct controls on the image itself, so the transition out should differ. The mismatch is the point, not a flaw.
For most UI, you don't need pixel-perfect morphs between small elements. The real job of animation and behavior is to convey meaning and context. Make your transitions pixel-perfect and most people would never notice the difference.
I get that this is the way of the world, but I still think we'd have been be better off with, you know, real attention paid to classic free/open source ideas (like not breaking backward compatibility.)
Lazy, lazy development.
"Job done, boss! Ready to ship to... checks notes... 3 billion users!"
"Did you test it?"
"Test? I thought we had a QA department!"
"Nah, we fired all of them a decade ago. You're the QA now."
On a personal level, if thing works - I say, cool, lets focus on something else now.
But I have worked with people who are similar to the author and we will get into the conversation:
I admire those people, because they're valuable asset in some companies (e.g. Google scale, saving 1.4Mb for 1 Billion people every day is a lot), but my mind doesn't even want to think about what's perfect.How do I get there? What are the resources I can read and learn from to look at things to make them perfect?
The issue with “premature optimization is bad” is that some see it as a permission to not optimize at all. Hence you eventually end up with a system where everything is bad.
—
Although for some of us being obsessive-compulsive weirdos this is the only way of life: an itch that keeps on physically scratching until resolved.
“Be guided by beauty. I really mean that. Pretty much everything I’ve done has had an aesthetic component, at least to me. Now you might think ‘well, building a company that’s trading bonds, what’s so aesthetic about that?’ But, what’s aesthetic about it is doing it right. Getting the right kind of people, and approaching the problem, and doing it right […] it’s a beautiful thing to do something right.”
Absolutely, but on the other hand businesses operate with lots of broken windows as well, and they are fine with it.
Dilemma I am having is, on one side, business needs my best judgement for today and short term, because this is how most businesses survive, on the other hand, on a personal level I feel like I am stuck making non-perfect decisions, hence I can't even think about perfect world, because I am not training that part of my brain.
That's the barrier to understanding right there! This also makes it easy to make up 2x cost estimates to justify not improving anything
In that bandwidth case I'd be annoyed by the waste which kind of pervades software already, and it'd feel great to know at least we countered it a little bit.